A police officer stands on a cracked asphalt street with his back facing the camera. He is wearing a dark navy-blue uniform with black boots and a tactical utility belt. Across the upper back of his uniform, in bold white letters, it reads “HOA POLICE.” His arms are extended forward, aiming a handgun at a young woman in front of him. The young woman is facing the camera directly, dressed in dark pink clothes — a fitted jacket and pants. Her hands are raised high above her head in a surrendering gesture, her posture tense, eyes wide, and expression fearful. Behind her, a house burns violently, engulfed in flames with thick black smoke billowing into the night sky. The orange glow of the fire lights up the scene, casting strong shadows on the officer’s back and reflecting on the woman’s face. Sparks, heat waves, and glowing embers drift through the air, emphasizing chaos. Gravity and physics are realistic — the officer stands firmly with balanced legs, the handgun positioned naturally, while the woman’s hair and clothes ripple slightly in the heat and wind. The entire composition is cinematic, ultra-realistic, and emotionally intense.